Canon EOS R10: The Best Video Cam for Novices

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There is been an opening in the center of Canon’s mirrorless video cam schedule for a couple of years currently, but the Canon EOS R10 finally fills it. If you are a novice looking to expand your photo perspectives, or an current Canon follower that desires an enjoyable second video cam for daily shooting, it is currently among the best video cams about, and many thanks to its small dimension and weight, it is also among the best travel video cams.

While it is a bit advanced and expensive compared to traditional entry-level video cams, such as the Canon EOS Rebel SL3 / EOS 250D DSLR, the EOS R10 is a significant update on those models and well well worth its price. It is truly an development of the double-digit DSLRs such as the Canon EOS 90D, video cams that became firm faves with those that wanted to snap their family, vacations and daily lives with smartphone-beating quality.

The key to the Canon EOS R10’s appeal is its Digic X cpu, which helps open the newest autofocus technology and some outstanding burst-shooting rates for its price. You obtain Double Pixel CMOS AF II and 15fps continuous shooting (albeit with a firm brake used by the EOS R10’s buffer), which make this video cam greater than qualified of snagging a fired of the family dog’s winning objective in the yard sprinkle polo.

The EOS R10 can track a wide variety of topics, consisting of individuals, pets (canines, felines, birds) and vehicles, and complies with them about pretty tenaciously. This is a truly useful device that raises this video cam over competitors such as the Fujifilm X-S10, although that video cam does resist with in-body picture stablizing and (today) a larger choice of lenses.

Ah yes, lenses. Together with a somewhat small viewfinder (with 0.59x magnification), these are the EOS R10’s main weak point. At the moment of writing, Canon has just made 2 native lenses for the EOS R10 and its EOS R7 brother or sister: the RF-S 18-45mm f/4.5-6.3 IS STM and RF-S 18-150mm f/3.5-6.3 IS STM zoom. This is pretty paltry compared with Sony and Fujifilm, although you can use both Canon’s full-frame RF lenses and older EF ones on this video cam with an optional adaptor.

How important this is very a lot depends on your photo choices and experience. There are some affordable RF lenses that will work well with the EOS R10, consisting of the RF 50mm f/1.8 ($180 / £220 / AU$340), RF 16mm f/2.8 ($299 / £320 / AU$479) and, for wild animals snappers, the RF 600mm f/11 ($699 / £860 / AU$1,399). We also evaluated it with the RF 85mm f/2 Macro ($550 / £670 / AU$1,049), which is a flexible prime lens.

There is a likelihood that these options will trend you over until Canon obtains about to launching some new APS-C lenses. But if you want more options from the entrance, or do not such as the unpredictability, after that a video camera such as the Fujifilm X-S10 or Fujifilm X-T30 II could be better.

If you are simply beginning and want a light-weight video cam that’ll expand with you, however, after that the Canon EOS R10 is among the best novice video cams about. Its new 24MP CMOS sensing unit creates some beautiful pictures with enough leeway for you to claw back some information from darkness, also if you will not want to regularly press it past ISO 6400. You can also fire some outstanding video clip, also if the 4K/60p setting does come with a 1.56x plant.

Despite its fairly antique sensing unit, which isn’t backside-illuminated, the EOS R10’s effective cpu, autofocus experience and flexible manages give novices a great video cam to begin with and an effective one to expand right into. That means you can have lots of enjoyable with it while you wait on Canon to earn some more native lenses.

Price and Launch day

Available to buy currently for $979 / £899 / AU$1,499 (body only)

Also available in 2 various set lens packages

Slightly less expensive compared to the Fujifilm X-S10

The Canon EOS R10 is available to buy currently in a couple of various packages, with the most affordable one being its body-only price of $979 / £899 / AU$1,499.

If you had instead buy it with among Canon’s new RF-S set lenses, you can pick it for $1,349 / £1,249 / AU$2,049 with the RF-S 18-150mm set lens, or $1,099 / £999 / AU$1,649 with the RF-S 18-45mm f4.5-6.3 IS STM set lens.

This is pretty sensible pricing that has echoes of the Canon EOS RP, a full-frame video cam that landed for $1,299 / £1,399 (body-only) back in 2019.

The EOS R10 slightly undercuts the Fujifilm X-S10 ($999 / £949 / AU$1,699), although that video cam does offer in-body picture stablizing, which works for protecting picture quality and shooting video clip. And it is valued similarly to the Nikon Z50, another fairly small APS-C video cam that is currently a bit behind the EOS R10.

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Design

Small and light-weight, evaluating just 429g

Deep hold makes it comfy to hold with most lenses

Small viewfinder zoom (0.59x) and no weather-proofing

The Canon EOS R10 probably isn’t mosting likely to win any Red Populate Design honors, but it does fulfill its short of being both impressively small and comfortably acquainted to anybody who’s used a Canon DSLR.

In your hand, the little point is quite reminiscent of a Canon EOS Rebel SL3 (or else known as the Canon EOS 250D, outside the US), which actually evaluates 20g greater than the 429g EOS R10.

Reasonably, this has to do with as small as RF-mount video cams are most likely to obtain – which is to say, not as diddy as EOS-M collection such as the Canon EOS M50 Note II. Those video cams will survive on, albeit looking wistfully through the yard fencing as professional digital photographers play bring with Canon’s new APS-C beloveds, the R7 and R10.

On top, the Canon EOS R10 again appearances such as a Rebel SL3 / EOS 250D, with a setting call signed up with by front and back regulate dials, a multi-function switch and a video clip record switch. One useful enhancement, however, is the addition of Canon’s multi-function device footwear, which can both power and send out information to devices such as shotgun mics. Considering this is a function you do not also jump on the full-frame video cams such as the EOS R6, it is another need to feel smug about owning an R10.

About the back, it is a comparable configuration to the more expensive Canon EOS R7. There is a completely articulating touchscreen that can turn forwards for video clip shooters and, helpfully, an AF joystick. This is a function that affordable video cams often jettison for simpleness, but it is a genuine benefit for professional digital photographers that are looking to quickly move AF factors. And that is most likely to hold true when you have an effective autofocus system with 651 AF factors, such as on the R10.

One small frustration with the EOS R10 is its small viewfinder. While this EVF has a comparable 2.36-million populate resolution to the one on the EOS R7, its limited 0.59x zoom does feel a little bit stingy. It works all right in practice and can be personalized with handy devices such as live histograms and gridlines, but various other video cams at this price point do offer better views of your scenes.

There are a pair of various other design downers on the EOS R10 that are a bit more reasonable for the price. The EOS R10 does not have the weather-proofing you jump on the EOS R7, which means you will need to take care of it that bit more. There is also just one UHS-II card port, instead compared to 2. And while the EOS R10 does have a microphone input, you also shed the earphone jack for monitoring your sound when shooting video clips.

Overall, however, we truly enjoyed shooting with the Canon EOS R10 throughout our time with the video cam. Such as the Nikon Z50, it has a pretty deep hold for such a small video cam, which means you can set it with fairly lengthy lenses if needed. But it is also a cool, light-weight little bundle when combined with keys such as the RF 50mm f/1.8 STM lens and is a video camera you will appearance ahead to getting.

Features and Efficiency

Can quickly hit 15fps rates with the mechanical shutter

Digital shutter brings a greater full throttle but also rolling shutter restrictions

Outstanding autofocus monitoring for a mid-range video cam

Such as the Canon EOS R7, among one of the most attractive aspects of the EOS R10 is its mix of modern autofocus smarts and pretty fast burst-shooting rates. The R10 isn’t quite in the same category as the R7 for the last, but it is still an enhancement on mid-range DSLRs such as the Canon EOS 80D and also the EOS 90D.

Canon’s specifications sheet says that the EOS R10 can contend an outstanding 15fps with its mechanical shutter or at 23fps with its digital shutter. And out tests supported these claims, also if the camera’s buffer could not maintain those rates for as lengthy as the official specifications claim.

We had the ability to fire uncompressed raw files for 15fps for one second using the mechanical shutter, before the buffer slowed down points to about 7fps. When shooting JPEGs, we had the ability to maintain addressing 15fps for a better 6 secs, before it dropped to about 12fps.

Switch to the digital shutter and you are able to quickly hit 23fps rates. There are a pair of reasons this is best avoided in most circumstances, however. Firstly, the digital shutter is a lot slower compared to the mechanical one over extended ruptureds in this setting. Also, shooting moving topics with the digital shutter can produce bending problems (or else known as rolling shutter), which means you are best off sticking to the mechanical one most of the moment.

Thankfully, the EOS R10’s autofocus has the ability to stay up to date with these good burst-shootings abilities. Its Double Pixel CMOS AF II configuration, seen in advanced forms on video cams such as the professional Canon EOS R3, is both outstanding and user-friendly, too. You obtain a total of 4,053 AF factors, which is outstanding for an entry-level video cam, and moving them is easy many thanks to the addition AF joystick (another feature that is often jettisoned on novice video cams).

We evaluated this AF system on a wide variety of pets, consisting of felines, deer and an extremely fast cockapoodle. And while the hit-rate certainly had not been 100%, the EOS R10 did a great job of finding eyes and securing into them, also from ranges of 5-10 meters away.

Unlike previous autofocus systems, this monitoring is available throughout most of the EOS R10’s AF settings, and it’ll immediately switch to a face or body if it can’t find any eyes. Switch to continuous AF (or ‘Servo’, as Canon phone telephone calls it) and the EOS R10 will also track any topic you decide to secure into about the frame, which places it in advance of competitors such as Fujifilm.

Where the Canon EOS R10 is slightly weak compared to some competitors is battery life and the lack of in-body picture stablizing (IBIS). The Fujifilm X-S10, for instance, offers IBIS for a comparable price to the R10, and this can be a useful way to protect picture quality when shooting portable in lower light (many thanks to much longer shutter rates).

The EOS R10’s battery life isn’t awful in contrast to various other mirrorless video cams. Its CIPA score (which is a standard statistics for video cam battery life) is 340 shots each charge, or 210 if you are entirely using the EVF. While Sony video cams have the tendency to fare a bit better, that is just simply below average for mirrorless video cams.

DSLRs such as the Canon EOS Rebel T8i / EOS 850D (which uses the same LP-E17 battery as the EOS R10) can maintain going for 800 shots, however, because they use optical viewfinders instead compared to digital ones. We still think the EOS R10’s overall benefits make it the better buy, but it is something to keep in mind if you are planning to take it on lengthy days out. Obtaining an extra battery is most likely a smart idea.

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Picture and Video quality

Picture quality thrills despite sensor’s lack of backside-illumination

Shoots uncropped 4K/30p video clip that is oversampled from 6K catch

No earphone jack or ‘flat’ log video clip account for color graders

The EOS R10 has a brand-new 24.2MP sensing unit, but this chip isn’t backside-illuminated (BSI). As the name recommends, BSI sensing units have their wiring on the rear of the sensing unit instead compared to before the light-sensitive photosites, which typically means they have much less sound and better all-round picture quality.

This could have been a black note versus the EOS R10, but overall we’ve been impressed with its picture quality. Pictures appearance spick-and-span and detailed up to ISO 1600, with pleasing shades and complexion.

Sound begins to become slightly visible from ISO 3200, but outcomes are certainly still functional here and at ISO 6400. It is truly just ISO 12800 and over that should be considered emergency situation options for especially bleak circumstances.

In brief, the picture quality is very just like APS-C competitors such as the Sony A6400 and Nikon Z50. Just the Fujifilm X-S10 and X-T30 II hold any benefit at this price point, because they use BSI CMOS sensing units that should (theoretically) provide a small benefit at greater ISO sensitivities. But we have not had the ability to do a side-by-side contrast in between the EOS R10 and those video cams yet.

Slightly more outstanding, compared with the competitors, are the EOS R10’s video clip abilities. Some sometimes unstable autofocus apart, it thrills with the ability to fire uncropped 4K/30p that is oversampled from the sensor’s 6K resolution.

While this isn’t the situation for the camera’s 4K/60p setting (which as you can see listed below, sustains a 1.56x crop), this is still a useful device for vloggers and YouTubers. The benefit of 60p setting is that you could slow it to half-speed to produce some nice cut-scenes.

Various other video clip rewards consist of the ability to fire 1080/120p slo-mo and an ‘HDR PQ’ setting that provides 4:2:2 10-bit quality. Sadly, there is no ‘flat’ log option on the EOS R10, however, which means eager color graders will need to think about the EOS R7 or competitors such as the Fujifilm X-T30 II. And the lack of an earphone jack means there is no chance to monitor sound when you are out in the area.

Still, there is no 30-minute video clip tape-taping limit on the EOS R10, which means you can fire clips for up to 2 hrs (depending upon battery life and card capacity). And set the video cam with a somewhat better lens compared to Canon’s 2 RF-S set zooms, and you have an extremely qualified video clip device for shooting clips together with your snaps.

Should I buy the Canon EOS R10?

Buy it if…

You are a novice looking for your first video cam

The Canon EOS R10 simply sides the Fujifilm X-S10 as the best video cam about for novices. While the X-S10 does have in-body picture stablizing and a wider range of native lenses, the power and functionality of the EOS R10’s autofocus, plus its superior burst-shooting, put it top of the stack in our book. It is also better compared to any DSLR for those beginning.

You need an inexpensive sporting activities or family video cam

While the EOS R10 has more a mid-range price, its burst shooting rates and autofocus deserve the premium if you are looking to fire moving topics. Less expensive video cams can battle with this, but nothing else APS-C video cam suits the EOS R10’s combines speed, functionality and price.

You want a small crossbreed video cam for video clip and stills

It may be designed more for stills compared to video clip, but the EOS R10 does have effective video clip abilities for its dimension and price. It shoots uncropped, oversampled 4K/30p and, uncommonly for an inexpensive APS-C video cam, also has a 4K/60p setting (albeit with a 1.56x plant). There is no ‘flat’ account for color graders, however.

Do not buy it if…

You need a broad choice of native lenses

Today, the EOS R10’s main weak point is an absence of native lenses. Canon does offer some affordable full-frame glass that’ll deal with the R10, and you can adjust older RF lenses. But if your priority is a system with great deals of native APS-C glass to choose from, inspect out the Fujifilm X-S10 or X-T30 II rather.

You want a major wild animals video cam

For wild animals and sporting activities shooters, the main disadvantage of the EOS R10 compared with the EOS R7 is its buffer deepness. While the R10 can just maintain its top 15fps mechanical shutter rates for about a 2nd when shooting raw, its more expensive brother or sister can maintain this for a great couple of secs. For advanced activity shooters, this makes the EOS R7 deserves its premium.

You will be mainly shooting video clip

While the EOS R10 does have some effective video clip features, it isn’t a fully-fledged vlogging video cam. There is no earphone jack for monitoring your sound, neither any in-body picture stablizing to maintain points stable. To fire walk-and-talk video clips, you will definitely need to set it with a gimbal, and there are better overall video clip choices out there such as the Panasonic Lumix GH5 Note II.