The Fujifilm X-S10 is a strong new action in the company’s quest to earn the supreme mid-range mirrorless video cam. By taking many of the highlights from its front runner Fujifilm X-T4, consisting of in-body picture stablizing (IBIS), and shoehorning them right into a smaller sized, less expensive body, it is made among the best video cams up until now for novices and hobbyist shooters.
Previously, the role of replacement to Fujifilm’s X-T front runners is filled by excellent little video cams such as the Fujifilm X-T30. The X-S10 isn’t a substitute for that model, but rather an effort to win over new followers that have up until now been immune to Fujifilm’s appeals.
Such as the X-T4, the Fujifilm X-S10 is built as a real all-rounder that is as comfy shooting video clip as it’s stills. You obtain the tried-and-tested mix of the 26.1MP X-Trans CMOS 4 sensing unit and X-Processor 4, plus the ability to fire uncropped 4K/30p video clip.
A somewhat uncharacteristic change of tack, however, can be found in the X-S10’s handling and manages. Instead compared to Fujifilm’s trademark array of manual dials, you obtain a PASM (Program, Aperture, Shutter Speed, Manual) call and a beefy handgrip that are more reminiscent of classic DSLRs.
In brief, if you have actually an older Canon or Nikon DSLR, and elegant trading it in for something smaller sized and more modern, you will feel right in your home with the X-S10.
How does the X-S10 perform compared with its competitors? Overall, very well. Stills picture quality is similar to the Fujifilm X-T4, a video camera that is presently second in our overview of the best video cams for digital photography. The quality and versatility of the X-S10’s 4K video clip is also right up there with competitors such as the Nikon Z50 and Sony A6600, production it among the best YouTube video cams.
Perhaps the X-S10’s just real weak point is its autofocus. Its AF efficiency is still outstanding in most circumstances, but the subject-tracking isn’t quite as advanced as the Sony system seen on video cams such as the Sony A6600.
Still, while it might not be the front runner for activity shooters, the X-S10’s IBIS system is a genuine bonus for such a small video cam. If you do a great deal of portable shooting, this will help you protect picture quality by allowing you use much longer shutter rates. This feature alone gives it a big side over the Nikon Z50, Fujifilm X-T30 and also the Fujifilm X-T3.
When you integrate this sensor-based stablizing with the Fujfilm X-S10’s various other appeals – vintage designing, a great hold, excellent picture and video clip quality – you have among the best mirrorless video cams available at this price, and for those that want maximum versatility, it is also among the best travel video cams. The lack of weather-proofing and slightly substandard autofocus are the just black notes on an or else excellent video cam.
Launch day and Price
The Fujifilm X-S10 is available to buy currently for a pretty sensible $999 / £949 / AU$1,699, and in various set lens packages too.
The XC15-45mm set bundle, which isn’t available in the US, costs £999 / AU$1,849. If you can, we’d suggest obtaining the XF18-55mm set lens bundle for $1,399 / £1,299 / AU$2,099.95 over that XC set lens. And if you need a much more flexible lens, the X-S10 will also be available with the more recent XF16-80mm for $1,499.95 / £1,399 / AU$2,499.
This pricing is pretty sensible considering the Fujifilm X-S10’s range of abilities. At introduce, the Fujifilm X-T4 cost $1,699 / £1,549 / AU$2,999 (body-only).
With the X-S10 packing the same sensing unit and cpu as the last, it is a great alternative for anybody who’s been put off by the X-T4’s dimension, intricacy and price. However that depends a bit on whether you will be alright with its peculiarities and restrictions…
Design and Handling
The Fujifilm X-S10’s design is at the same time classic Fujifilm and a big change from its various other mirrorless video cams.
Initially glimpse, it appearances such as a somewhat smaller sized Fujifilm X-T4 with a bigger, deeper hold. Because of that hold, the dimension distinction isn’t, in practical terms, a lot various from the X-T4. You will not be sliding the X-S10 right into your pocket, but it’s significantly lighter compared to its brother or sister at 465g (production it about 3 quarters the weight of the X-T4). A magnesium alloy develop also gives it a more premium feel compared to less expensive models such as the Fujifilm X-T200.
It is just truly when you come to use the X-S10 that you notice the big changes from the remainder of the X-series. Fujifilm video cams are popular for their dial-heavy approach to manages, with most offering a triplet of wheels for tweaking your shutter speed, ISO and direct exposure payment.
Rather, you obtain the PASM call (Program, Aperture, Shutter Speed, Manual) approach preferred by most various other video cams manufacturers. The factor for this, Fujifilm informed us, is because it found that many individuals were put off from switching to X-Series video cams simply because they found its usual dials too confusing.
Neither approach is objectively better compared to the various other, much like Apple and Android’s varying handles the mobile phone homescreen. But it is reasonable to say that while the Fujifilm perfectionists might not be impressed, anybody originating from the similarity Sony or Nikon will feel immediately in your home with the X-S10.
Not that the X-S10 is a total ergonomic success. We found its power switch to be too unsafe for our liking, production it hard to transform the video cam on quickly without looking. This is probably the outcome of its shut distance to the front regulate call, but it was a small annoyance.
The lack of a d-pad on the rear of the X-S10 also makes it a harder to cycle through its food selections compared to on higher-end X-series video cams, with the small AF joystick rather handling these responsibilities. Still, we’re happy to see an AF joystick consisted of for choosing autofocus factors, and the X-S10 is or else an extremely pleasurable video cam to fire with.
That charitable hold is a genuine bonus for an or else small mirrorless video cam. Of course, this means it is no place close to as small as the Fujifilm X-T30, which can get on pockets when coupled with a pancake lens. But simply having the ability to hold the X-S10 one-handed by its hold was a genuine delight, and the hold also assisted to balance out much longer lenses such as the XF50-140mm. This alone makes it a great alternative to the Nikon Z50 and Sony A6600.
The X-S10’s viewfinder (a 2.36m-dot event with an optimum 100fps revitalize rate) is strong instead compared to spectacular, while its vari-angle touchscreen (which flips rounded 180-degrees to the front) makes it flexible for both video clip and stills. Professional digital photographers may prefer the turning screen seen on stills-focused video cams such as the X-T30, but this screen’s versatility is definitely a reward for solo videographers or vloggers.
Those vlogging qualifications are enhanced by the addition of a 3.5mm mic input for using external microphones. This rests over a USB-C port (which can function as an earphone port via an optional adaptor) and a Mini HDMI port, which allows you output 10-bit 4:2:2 video clip to an outside recorder.
Take a better appearance at these ports, however, and you will discover the Fujifilm X-S10’s main design weak point when compared with more expensive video cams – there is no weather-proofing at all. If you fire regularly in unforeseeable weather, that may press you back towards the weather-sealed Nikon Z50.
Specifications and Features
The Fujifilm X-S10 certainly packs a great deal of power and features right into its fairly small body – and one of the most noteworthy of these is in-body picture stablizing (IBIS).
We’ve seen small, APS-C video cams with IBIS before – the Sony A6600, for instance – but none that are as affordable as the X-S10. One of the most obvious rival at this price point is the Olympus OM-D E-M5 Note III, which has excellent stablizing but a smaller sized 4 Thirds sensing unit. There are also question notes over the durability of video cams such as the E-M5 collection, provided Olympus’ choice to exit the video cam business.
IBIS systems are useful for shooting both video clip and stills – they can counteract portable anxieties and protect picture quality by allowing you contend much longer shutter rates and lower ISOs. But they’re not all made equal. The X-S10’s five-axis IBIS system is 30% smaller sized and lighter compared to the one in the Fujifilm X-T4, and slightly much less effective.
Still, there isn’t a lot in it, with the X-S10 managing an optimum of 6 quits of payment when coupled with most X-series lenses, compared with the X-T4’s 6.5 quits. You can learn more about the X-S10’s stablizing in the ‘performance’ area listed below, but extensively talking it is not different to the X-T4. We found the latter’s stablizing claims to be a bit overemphasized in practice and there is no question that you will still need a gimbal for really smooth strolling video clip video video.
The addition of IBIS is a huge boost for anybody that has (or is considering buying) non-stabilized prime lenses such as the XF90mm f/2. Fujifilm has also consisted of a couple of electronic stablizing options to reinforce the X-S10’s sensor-based stablizing. If you do not mind your video video being cropped by 10%, these will include an extra level of smoothness for your video clips.
How does the Fujifilm X-S10 accumulate in various other locations? It is a mid-range video cam, so efficiency is normally a scratch listed below front runner degree, but features such as continuous shooting and video clip remain in the ‘good enough’ area for most individuals.
The X-S10 can contend 8fps in burst setting (using the mechanical shutter). That is some way except the Fujifilm X-T4’s 15fps maximum, but if you switch to the digital shutter (which can produce problems such as rolling shutter with fast-moving objects or panning) it can get to 20fps with no plant.
It is also an extremely qualified little video cam for video clip and vlogging. Such as the Nikon Z50, it can fire uncropped 4K/30p video clip and Complete HD at up to 240p for a 10x slow motion effect.
Unlike its Nikon rival, however, the X-S10 does also offer F-Log tape-taping (for protecting more vibrant range compared to pressed styles) and the option of outputting 4:2:2 10-bit video clip via its mini HDMI port. Toss IBIS right into the formula, and there is no question the X-S10 is among one of the most effective camera at this dimension and price.
The X-S10 is also among Fujifilm’s most user-friendly video cams up until now. The X-S10’s ‘auto’ setting is currently a lot more effective – it allows you fire raw pictures (together with the usual JPEGs), and there is currently the option of selecting from 3 various AF settings.
Fujifilm has also included an ‘auto’ movie simulations option to the camera’s ‘auto’ setting, which sees the video cam choose in between ‘Provia’, ‘Velvia’ and ‘Astia’, depending upon what suits the scene best. If you are not acquainted with Fuji’s movie simulations, they’re basically refined filterings system that remember the appearance of certain kinds of movie, and are among the main reasons the X-Series make such great point-and-shoot video cams.
Including an ‘auto’ setting to these makes good sense, but it is pretty easy to choose from the a lot wider range of 18 movie simulations by turning the camera’s Function call.
The X-S10 is a great little all-rounder theoretically, but how does it perform in the real life? Overall, it is very affordable with competitors at this price and dimension. The real celebrity is its IBIS system, but the X-S10’s autofocus, burst shooting and battery life are all more mid-range compared to premium – hence the price.
For basic shooting, the X-S10’s autofocus is very dependable and on a the same level with the X-T4. While the efficiency normally differs depending upon which lens you are using, its Face and Eye discovery AF was very dependable – also when used with lenses such as the XF 50mm f/1.0 WR.
Slightly much less outstanding was the monitoring autofocus. Such as the X-T4 (and currently the X-T3, many thanks to its current firmware upgrade), you currently obtain a bit box in ‘wide/tracking’ AF setting that allows you pick a topic in the frame to secure into as you recompose. In our tests, this functioned fine when the topic was shut and contrasted well versus the history, but more slightly far-off topics – for instance, ducks on the sprinkle – proved too challenging to track.
Fujifilm’s autofocus systems have certainly come a lengthy way. But in requiring circumstances they still lag behind class-leading systems such as Sony’s Real-time monitoring AF. You also do not obtain rewards such as Pet Eye AF, which can be found on higher-end video cams. Still, for basic shooting, the X-S10’s autofocus is greater than great enough for most circumstances.
Among the greatest efficiency distinctions in between the X-S10 and X-T4 is burst shooting. The X-S10’s relatively average max of 8fps (with the mechanical shutter) and limited buffer means it isn’t one of the most effective device when it comes to shooting sporting activities and activity scenes. At 8fps, the buffer strikes its limit after just 23 raw files (about 3 secs of shooting) or 105 JPEGs. While it is feasible to contend 20fps using the digital shutter, you after that just obtain 17 raw files or 32 JPEGs.
To be reasonable, video cams at the dimension and price aren’t professional sporting activities video cams. But this efficiency does lag behind competitors such as the Sony A6600 and, if you do fire a great deal of activity scenes at high frame-rates, after that it is well worth spending more on the similarity the Fujifilm X-T4.
The X-T4 almost increases the X-S10’s buffer deepness when contending 8fps and can rattle off frameworks at an outstanding 15fps using the mechanical shutter. The X-T4 also has an exceptional battery that lasts almost two times as lengthy as the X-S10’s relatively average 325-shot life.
Still, the X-S10 does have one important ace in the hole over its competitors – an extremely outstanding and useful IBIS system. This five-axis event is just slightly much less effective compared to the X-T4’s IBIS (by about fifty percent a quit) and we found it performed similarly.
This means we didn’t quite obtain the declared 5.5 quits of stablizing on lenses such as the Fujifilm XF18-55mm f/2.8-4, with the X-S10 more reliably giving us about 4 quits of payment. That is still very useful and means you can obtain very functional handhold shots at shutter rates as reduced as 1/fifth second.
Considering some competitors such as the Canon EOS M6 Note II and the Nikon Z50 do not also have an IBIS system, this is a big benefit and is very helpful for smoothing out portable anxieties in video clip too.
Picture and Video quality
The X-S10 uses the same 26.1MP back-illuminated sensing unit as the Fujifilm X-T4 and Fujifilm X-T30 – it is a tried-and-tested entertainer that is still the best of its type.
Of course, you will not obtain quite the same degree of raw modifying versatility as you might with a full-frame video cam, but the addition of IBIS helps protect picture quality in challenging problems.
Among the benefits of X-series video cams is their ability to produce great out-of-camera JPEGs – whether you use the 18 Movie Simulations, that proceeds to hold true here.
The native ISO range is 160-12,800, and we had no problems contending ISO 6400. In truth, also ISO 12800 is perfectly clean and functional, despite some luminance sound. Vibrant range is also very outstanding, especially when you take benefit of the integrated ‘DR’ options in the picture quality food selection.
We truly such as the Fujifilm ‘color science’ and pictures have a nice quantity of information, too. If you such as experimenting with shades without doing lengthy modifying sessions at your computer system, after that those Movie Simulations are a genuine bonus.
Based upon Fujifilm’s movie stock, the simulations are great for giving your snaps some atmosphere or personality, without exaggerating the effect. We enjoyed shooting with Velvia for an extra stand out of color on grey days, while Eterna is another great option for stills and video clip. Such as shooting in black-and-white? You are protected here too, many thanks to Acros or the standard Monochrome setting.
This outstanding picture quality encompasses video clip, too. You obtain a great deal of control over your video clip tape-taping, which currently has a dedicated food selection system, and the X-S10 shoots uncropped 4K/30p video clip or Complete HD at up to 240p, which creates loud but functional slo-mo. Unlike the Fujifilm X-T30, you can also fire 4K for up to thirty minutes continuous (compared with 10 mins on the X-T30).
It is a pity that complete topic monitoring isn’t available in video clip, but you do obtain Face and Eye Discovery AF, which is pretty dependable (again, as lengthy as your topic is relatively shut). The X-S10 documents 8-bit 4:2:0 inside, but advanced video clip shooters also obtain the option of outputting a 10-bit 4:2:2 indicate via the HDMI port.
Overall, the Fujifilm X-S10 is among the best camera you can purchase this price (with perhaps just the more expensive Sony A6600 coming shut) and is an excellent option for vloggers that want to fire a charitable side of top quality stills.
Should I buy the Fujifilm X-S10?
Buy it if…
You want an inexpensive mirrorless all-rounder
Alright, the Fujifilm X-S10 isn’t exactly a budget plan video cam, but we’d say it is pound-for-pound the best all-rounder you can purchase this price. Considering you obtain a costs body, IBIS, a flexible screen, outstanding picture quality and a beautiful vintage design, it offers a great deal for the cash. The just drawback is the quantity you will be lured right into investing in prime lenses.
You mainly fire portable instead compared to on tripods
The mix of the X-S10’s large hold and IBIS system makes it a delight to fire with portable. Unless you want a pocketable video cam, this makes it a better option compared to the older Fujifilm X-T30. It is helpful for ironing out jitter when shooting video clip too, however if you do a great deal of vlogging you might still want to think about using it with a gimbal.
You are originating from an older Canon or Nikon DSLR
The X-S10 is uncommon for Fujifilm because it uses the ‘PASM’ call seen on DSLRs from the similarity Canon and Nikon, rather than the company’s usual array of manual dials. While this puzzle Fujifilm reactionaries, it does make the X-S10 a great option for those originating from various other video cam systems.
Do not buy it if…
You mainly fire activity and sporting activities
The X-S10 isn’t a poor video cam for shooting fast topics and is perfectly up to family animal portraits. But compared with competitors such as the Sony A6600, its 8fps continuous shooting and fairly limited buffer imply it isn’t the best option for rattling off ruptureds at fast-moving sportspeople.
You want class-leading autofocus
Fujifilm’s autofocus is much-improved from a couple of years back and you obtain pretty dependable Face/Eye discovery AF here. But its subject-tracking isn’t constantly rock-solid and at this price it is bordered out by the similarity the Sony A6600 and Nikon Z50, which currently has Pet Discovery AF.
You are a Fujifilm traditionalist that needs weather-proofing
The flipside of the X-S10’s courting of non-Fujifilm users keeping that PASM control call is that followers of the company’s traditional manual dials may be put off. If you need a dedicated ISO call and weather-proofing, see if you can extend to the Fujifilm X-T4 rather.