Olympus OM-D E-M10 Note IV: Still Among the Best Video Cams About for Novices


The Olympus OM-D E-M10 Note IV is an entry-level video cam that wears the hand-me-downs of its larger brother or sisters. The $800 video cam and lens set — $700 for simply the body — obtains the eye discovery formulas of the E-M1 Note III and a truncated five-axis picture stablizing system, all coupled with a sensing unit that is just 0.1 megapixels timid of video cams that cost greater than two times as a lot.

The E-M10 Note IV alaunches as its moms and dads consider a split. With Olympus in speak with sell its imaging department to Japan Commercial Companions, the future of the video cam line — and the lenses and devices — is uncertain. The company anticipates to get to a contract at completion of September, but until after that, the specify of Olympus video cams is fraught with reports and questions.

Such as any hand-me-down, the E-M10 Note IV’s features are a bit harsh about the sides. Are the cost savings for the more affordable OM-D video cam well worth it despite a couple of snags? I invested 2 weeks with the Olympus E-M10 Note IV to see where the video cam thrills and where it drops brief.


Film-inspired small design

The E-M10 Note IV symbolizes what the mirrorless video cam was initially heralded for: Small dimension. Measuring much less compared to 2 inches deep (and much less compared to 3 inches with the set lens retracted), the mirrorless is the ideal dimension in between a point-and-shoot and most compatible lens video cams. Evaluating approximately 20 ounces with the set lens, it is light enough to sling about your neck and almost forget that it is there. Yet the body still holds enough realty to offer a great choice of physical manages and a a lot more considerable hold compared to a slim small video cam. Perhaps partially because the last mirrorless I fired with was the DSLR-sized Canon EOS R6, the E-M10 Note IV really felt more such as a point-and-shoot compared to what we anticipate from a contemporary mirrorless video cam.

Despite the lower price point, the E-M10 Note IV is a beautiful video cam. The silver body with a distinctive black cover, the silver dials, and the on/off switch make it appear like a classic movie winder. The body does not feel as durable as a magnesium alloy develop, but neither does it feel chintzy. Sadly, it does not have the excellent weather securing of the premium OM-D video cams. While I prefer slightly bigger holds, the form is easy enough for the index fingers to twist around at the front, with a nice thumb rest at the back.

The body still fallen leaves lots of room for a 2.36-million-dot viewfinder and a 3-inch, 1.04-million-dot LCD screen that tilts 180 levels, (Keep in mind: If you use a tripod, the complete turn of that turn would certainly be obstructed.) Just like the experience on various other current Olympus video cams, both the viewfinder and LCD screen do not constantly accurately depict what the video cam is catching. Several times, the white balance in the viewfinder was a lot various compared to what the real picture caught. Direct exposure also didn’t constantly compare, and locations in darkness have the tendency to be muted and challenging to earn out of the viewfinder. Considered that the M-10 IV is a budget plan video cam, the viewfinder, despite its mistakes, met up with assumptions compared with similarly valued video cams.

The E-M10 IV’s control scheme makes most of the often accessed setups easy to change. Double control wheels change shutter speed and aperture, while faster way switches on the back open up options for changing ISO, blink, and burst shooting. Setups such as autofocus settings and white balance are inside a fast food selection. I miss out on the joystick found on higher-end video cams, which allows you to change the focal point in one step — on the E-M10 IV, you tap the faster way, after that move the cursor. But, again, the joystick is a function typically reserved for higher-priced video cams, so we can’t be too severe on it not being present on the E-M10 IV.

The side of the video cam houses a USB for charging, as well as an HDMI port, while both the battery and solitary SD card port share a door underneath. That battery door is simply hardly obstructed by a standard-sized tripod plate, which can be a bit annoying. While the battery is ranked for 350 shots, I obtained about 650 shots before it used down. It is missing out on the ports of a advanced video cam, such as a mic port for video clip, but has the pop-up blink that premium video cams have the tendency to omit.

The small dimension, classic appearance, and control scheme make the E-M10 Note IV a blast to fire with. While I miss out on the weather securing, hold, and joystick of its more expensive brother or sisters such as the E-M1 Note III, the small dimension means I never ever needed to second-guess whether I truly wanted to transport the video cam about with me all the time.


Slow efficiency, excellent stablizing

Olympus promotes that the budget E-M10 IV uses some of the same autofocus formulas as more expensive models, consisting of the continuous autofocus topic discovery of the E-M1X and the same Eye AF as the E-M1 Note III. But, while the formulas exist, the E-M10 has a completely various autofocus system that cheapens the experience. The E-M10 IV uses a contrast-detection system, while the premium OM-Ds use a crossbreed phase-detection and contrast-detection system.

The E-M10 IV also uses the TruePic VIII cpu, which is one generation behind the E-M1 Note III. To put that also further in point of view, the E-M1X has 2 cpus. Both the more limited kind of autofocus system and slower cpu combined with premium formulas means that the M10 Note IV is more accurate compared to it is precursor, the E-M10 Note III, but does not have the speed or dependability of either the E-M1 Note III or the E-M1X.

The 121-point contrast-detection autofocus system is slightly better compared to what I anticipated from an $800 video cam, however. It’s accurate and easy to use, but does not have a little bit of speed. I had few shots that didn’t toefingernail the focus, and many of those were because I fired a bit prematurely. Autofocus decreases slightly in reduced light but still appeared to secure on accurately without too a lot of a hold-up.

Continuous autofocus was OK for a budget plan video cam, obtaining more shots sharp compared to not, but still capturing a handful of soft-focus pictures when shooting the fastest activity. Unsurprisingly, monitoring autofocus does not work that great, but I have yet to satisfy a video camera with monitoring great enough to fully depend on, also amongst more expensive models.

Eye AF is excellent for portraits and pictures of individuals, as it easily picks up eyes and faces. It is not fast enough to use on activity, however. My favorite component about the Eye AF is that you do not need to remain in auto-area focus setting for it to work, a characteristic some various other brand names annoyingly reserve this feature for. Olympus allows you to toggle the feature on and off, so you can use it in advanced focus settings instead compared to solely in the setting that desires to immediately select the topic for you.

The E-M10 IV can contend up to 8.7 frameworks each second (fps) with the mechanical shutter but needs the slower 5 fps speed in purchase to use continuous autofocus (or extended ISO setups). At the fastest speed, shooting RAW + JPEG, the video cam can churn out 18 shots before the filling buffer begins to slow points down. Slowing the speed to 5 fps allows the video cam to involve autofocus (which, let’s be honest, you are mosting likely to want energetic) and take 21 shots straight before slowing. Both ruptureds took about 15 secs to be fully contacted a Course 10 SD card before you could review the pictures in playback, but you could maintain contending a slower rate or change setups while contacting the card.

Among the best features the E-M10 obtains from advanced models — albeit, it is not as great — is the 5-axis sensor-shift picture stablizing. Ranked to 4.5 quits, the system readied enough to fire to 1/10th of a 2nd at 14mm portable and still obtain some (but not all) shots sharp. I also took a portable fired of the moon. While lagging behind the 7.5 quits of the E-M1 Note III, the in-body optical picture stablizing system this great is challenging to find on a budget plan video cam.

Excellent picture quality

Showing off almost the same pixel matter as more expensive models, Olympus didn’t stint the sensing unit for the E-M10. The 20.3 megapixel Mini 4 Thirds sensing unit catches sharp pictures with great color. While the pictures may not appearance as great from the viewfinder and the video cam is a little bit slower, picture quality is one feature that wasn’t scammed to get to the budget price.

Pictures from the E-M10 IV and set lens were well detailed. They were sharpest at f/5, but still appropriate shooting with the set lens wide open up. Combined with the ability to fire.23x zoom with the set lens, the video cam has the potential to catch a great deal of information. The small set lens does tend to flare, however.

The smaller sized Mini 4 Thirds sensing unit will experience more from sound compared to an APS-C or full-frame video cam, but is relatively well-controlled for the category. Small sound shows up in darkness at ISO 800. I would certainly consume to ISO 3200 before stressing over a considerable loss of information and intensity.

Shades coming straight from the video cam ready. The E-M10 IV also includes a brand-new instant movie filter to the in-camera color accounts, and it is among my faves for the punchy comparison and purple and red touches. RAW files recuperate a reputable quantity of information from the darkness, with some small healing from the highlights.

Video clip is available at 4Kp30 and offers the same strong color and information as the pictures. The picture stablizing also helps boost video clip quality. The video cam is challenging to suggest for vlogging or major video clip work, however, because it does not have a mic port.

While the sensing unit on the E-M10 IV isn’t just comparable to a bigger sensing unit, it takes on Olympus’ advanced models and offers excellent quality for the camera’s small dimension and price.

Our take

As a budget plan model, the Olympus E-M10 Note IV catches excellent pictures with a couple of sacrifices to efficiency, develop quality, and manages. For the price, the E-M10 has a great deal to offer, consisting of excellent pictures, 4K video clip, a small body, and picture stablizing. Shooting with the E-M10 seems like grabbing a point-and-shoot video cam, many thanks to the small dimension and lightweight. While using a mirrorless video cam without several lenses shortchanges the camera’s abilities, the tiny 3-ounce set lens makes the E-M10 IV seem like a sensible alternative to pricey point-and-shoots such as the Sony RX100 collection.

Of course, in purchase to slim that price down, Olympus made a couple of sacrifices. Its speed is a little bit doing not have, it will not handle a rainstorm, and, also amongst the budget category, there are contending video cams with bigger sensing units.