Sony A6100: Offers Great Worth for Novices and Hobbyists Alike

Sony A6100 APS-C mirrorless video cam has a difficult act to follow. It is an update on the half-a-million-selling A6000, which can currently be had for an amazingly low cost (about $408/£349 body just – see Sony A6000 deals(opens in new tab) for present best prices).

However, the A6000 has recently began to appearance a bit outdated. Picture quality readies instead compared to great, at the very least by the newest requirements, particularly at high ISO setups. Video clip catch peak at 1080p and the video cam does not also have a touchscreen.

The A6100 (or the ILCE-6100 as it’s sometimes described) presents considerable improvements, most significantly 4K video clip. It is not a substitute for the A6000, which both will get on sale at the same time for some time. Equipped with core quality and also a 1:1 aspect proportion option for Instagram, can the A6100 lure vloggers and all-rounders after an update?


At the heart of the A6100 rests a brand-new 24.2 megapixel Exmor CMOS picture sensing unit and new-generation BIONZ X cpu – the like in the newest range-topping A6600 video cam. It is a powerful blend that goes for outstanding efficiency in everything from autofocus and quick-fire shooting to improved picture quality also at high ISO setups, together with persuading 4K movie catch.

Beginning with autofocus, the A6100 acquires Sony’s newest crossbreed system which combines 425 phase-detection factors with 425 contrast-detection factors. That is a big numerical boost over the a6000, and the autofocus factors cover a bigger location of the picture frame. New features consist of ‘Eye AF’ for pets rather than simply for people, while including AI-based real-time monitoring. This immediately concentrates on eyes anywhere they move within the frame. Autofocus speed is extremely fast, ranked at 1/50th of a 2nd. That is 3 times much faster compared to in the A6000.

The maximum burst rate is similarly outstanding, at 11 frameworks each second, with sufficient buffer deepness for 33 raw files or 77 JPEGs. Switch from the flat-out Hi+ setting to Hi and you will still obtain 8fps continuous own, this time around with the offer of quiet shooting using a digital instead compared to mechanical shutter. At this speed, you will also gain continuous monitoring for autofocus (consisting of real-time Eye AF) and metering, complete with an online sneak peek as you are shooting, rather than the Hi+ mode’s instant review of the previous fired in a series. Real-time sneak peek in hi-speed shooting is another feature that was not available in the A6000.

The A6100 acquires processing formulas from Sony’s newest full-frame mirrorless video cams, intending to improve colour recreation, especially for complexion. There are several ‘creative styles’ on offer, consisting of standard, vivid, picture, landscape, sundown, black and white and sepia, as well as step-by-step modifications for saturation and intensity. In addition to that, there is a riches of ‘picture effects’ such as stand out colour, vintage picture, plaything video cam and sprinkle colour, plus a lot more besides.

For video clip, the A6100 flaunts 4K catch with full-pixel readout and no pixel binning. Fast and slow motion movie catch are also available, and the video cam acquires an outside microphone input outlet which was doing not have in the A6000. The a lot greater range of the turn screen enables forward-facing orientation for selfies and vlogging. Compared to the more up-market a6600, video clip catch in the a6100 does not have real-time Eye AF. S-log gamma accounts for improved vibrant range are also not available. In-body or sensor-shift stablizing is doing not have and, although the viewfinder has the same 0.39 kind dimension as in the A6600, it has a reduced resolution of 1440k instead compared to 2360k dots, much like in the initial A6000.


Little has changed on the A6100 compared with various other video cams in Sony’s Alpha line-up, with the same ergonomic handgrip, battery, SVGA digital viewfinder and a near-identical switch layout compared with the A6000. It evaluates 396g to the A6000’s 344g and the A6600’s 503g. Develop quality isn’t as outstanding as with the A6600, with the body being constructed from plastic instead compared to steel. It is also the just one of the 3 to lack weather-seals. However, the overall building really feels strong and reliable, and the triple-hinged back screen enables a great range of movement from 180 levels up-wards to almost 90 levels downwards.

The layout of switches and dials is almost similar to that of the initial A6000. It is certainly not to everybody’s preference. The video cam does not have a front-mounted control call while, about the back, the switches are relatively firmly packed. Again, the food selection system really feels instead long-winded and arcane in position. On the plus side, the touchscreen greatly improves handling, particularly for autofocus point choice, both in fixed setting and for starting autofocus monitoring on a removaling item. Moreover, 8 of the camera’s physical switches can be personalized for direct access to any one of the 89 shooting and playback functions, and there is also arrangement for establishing your own custom food selection.

The position of the viewfinder on the much left of the back panel is another factor that will split opinion in regards to handling. However, at the very least it helps to avoid any unintentional touchscreen procedure with the suggestion of your nose.

A key ‘missing’ feature for videographers is that the A6100 doesn’t have an earphone jack for monitoring sound degrees originating from its integrated microphone. For that, you will need the more expensive Sony A6600.


Living up to its invoicing, autofocus is extremely fast and incredibly consistent. The expert system engine helps to deliver outstanding monitoring efficiency also for unpredictably moving objects, as well as enabling great real-time Eye AF monitoring. This is not available throughout movie catch, however, and you do need to toggle in between human and pet in the onscreen food selections.

In our tests, we found direct exposure metering to be instead better compared to in the A6000, with pictures being regularly more vibrant and more attractive, whereas the a6000 often has a tendency to visit the dark side. The Vibrant Range Optimizer works especially well to keep information in both highlights and very dark lowlights, with both auto and manual degrees available for routine and HDR settings.

Colour performance appearances very all-natural in the standard innovative design and impressively vibrant in landscape and vivid settings, without reviewing the top. Picture quality is a lot improved over that of the A6000 when shooting under boring illumination problems at high ISO setups. Both chroma and luminance sound are much less obvious while fine information and structure are better preserved.


The A6100 is a very long time coming, as the coming before A6000 is for sale for nearly 6 years. The new video cam makes quite an effect. The pro-level autofocus with its ability to track topics throughout the frame by securing on faces and eyes is a really effective way of production digital photography much less difficult and more innovative. Metering efficiency and picture quality are also improved, with the last being more vibrant and realistic, and much better at high ISO setups. 4K movie catch appears, and the enhancement of a touchscreen is very invite. The front-facing turn activity is a genuine bonus for selfies and vlogging. Bluetooth is also included to the Wi-Fi and NFC formerly featured in the A6000.

There are still some handling problems. The overall control layout really feels instead outdated and there is no front-mounted regulate call. There is no in-body picture stabilizer and, although the 16-50mm Power Zoom set lens features ‘Optical SteadyShot’, it is not the sharpest device in package. The fairly low-resolution 1440k populate digital viewfinder is another frustration.

However, the A6100 is an considerable improvement over the highly popular A6000 and provides a genuine efficiency boost in all one of the most critical locations. Battery life is pretty reputable for a mirrorless video cam, at 380-420 shots for stills and about 125 mins of video clip.

Overall, the A6100 is a great choice for vloggers and anybody else wishing to jump up from a mobile phone/point-and-shoot to obtain manual setting, zoom and better pictures on a major – and seriously mobile – video cam. The just considerable issue is pricing, which is presently much greater compared to the A6000, and is also slightly too expensive for the video cam to be considered really ‘entry-level’ when compared with its present competitors.’ It prevents us granting the A6100 greater than 4 celebrities today. However, once Sony undoubtedly reduces the price, it’ll doubtless become great worth for money.